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An Entanglement of Pattern Seekers: Sculptures Connecting Past and Future

The Women Who Shaped our Present.

Using the goddess as a symbol of human potential, the Quantum Goddesses Project will create 1,001 sculptures worldwide, illuminating how creativity, curiosity, and connection have shaped human evolution over millions of years. These forces, as vital to us as the senses that shape our physical reality, have been forgotten, allowing cycles of harm to take root - passed down through generations and weakening the very bonds that sustain us.

For thousands of years, civilisations have been shaped by inherited narratives that glorify power and dominance. These patterns - born from struggle and survival - have confined individuals to narrow roles, reinforcing division and isolation.

Yet beneath this history lies a 70,000-year journey of wonder and discovery. The Quantum Goddesses Project connects the contributions of forgotten women pioneers with the breakthroughs of today’s innovators—creating a living legacy that reshapes how we understand reality, history, and ultimately, ourselves.

Over millions of years, our hominid ancestors glimpsed many possible futures in the flickering firelight, night after night developing their ability to see patterns. This process revealed a counterfactual, layered reality shaped by conscious choice. By comprehending choice, they inadvertently discovered free will. They succeeded by choosing to be guided by conscious conscience powered by morality. Evidence of their choices lies in the fossilised bones and footprints of our ancestors - and within all of us, embedded in the unique neurology of Homo sapiens

Once, the world was rich with goddesses—symbols of human potential, resilience, and wisdom. They stood alongside gods, embodying the laws of nature and reminding us that we are not separate from it, but part of nature's unfolding story. By remembering what has been forgotten, we reclaim our entangled histories, reaching into the past to reshape the future. Across time, we have faced immense challenges, and what carried us through was our capacity to connect, support, and uplift one another.

About the

Project

'Entanglement of Goddesses: sculptures across spacetime' combines my love of physics with a deep curiosity about history, astronomy, archaeology, anthropology, neurology, palaeontology, psychology, philosophy, and technology - bringing these together to explore humanity’s shared journey through time and space.

A History Half-Told Is a Future Half-Seen: For much of history, we have told only half the story. Passed down through generations, narratives have placed men at the center, with women as supporters and children as possessions, shaping our understanding of strength and belonging. Yet beneath these tales lies a deeper truth—one where women have always been essential to human progress, building societies, pioneering science, creating art, and fostering connection—ensuring that knowledge, culture, and compassion endure.

When their contributions fade from memory, something vital is lost. A void forms, not just in history but in how we see ourselves and each other, allowing fragmented stories to take root where wholeness once thrived. Disconnection grows—between past and present, between humanity and the nature we are entrusted to protect for our children. Creativity wanes, awe diminishes, and we become trapped in repetition, unable to imagine new possibilities. Yet, the legacies of women pioneers remain, woven into the fabric of our reality. Like goddess myths across cultures—symbols of human potential—their stories remind us that our strength lies not in separation, but in the connections that bind us across time.

Sculptures as Portals: The Quantum Goddesses Project envisions 1,001 sculptures worldwide, each pairing a forgotten woman pioneer with a living female scientific innovator, bridging the erased contributions of the past with the groundbreaking work of the present. These sculptures do more than honour history—they create a living storytelling system, intertwining art and science to reconnect past and present, mythology and discovery, cultures and generations. Echoing the 1,001 Nights of Scheherazade, these sculptures embody the power of storytelling as a force for survival, connection, and transformation. Each one becomes a portal into untold histories, reminding us that the stories we choose to remember shape the possibilities of our future.

Pattern-Seeking: Curiosity in Motion: At its core, the project celebrates pattern-seeking—how curiosity has shaped us and continues to do so—revealing that art, science, and history are not separate, but different expressions of the same fundamental drive to understand forces that shape our reality. All three disciplines seek patterns, uncovering connections that bring coherence to chaos. Through science, we decipher the systems that shape reality; through art, we see, feel, and make meaning of these truths; through history, we trace these patterns through time, revealing their echoes in our present.

The Dance of Three: Entangling Past, Present, and the Observer: Physicist Carlo Rovelli describes reality as a ‘dance for three’—a weaving of relationships where no single entity exists in isolation. Just as quantum entanglement requires three systems of information to interact in order to manifest reality, the entanglement of forgotten stories and present creativity shapes cultural reality. And in witnessing this dance, we—the observer—become the third, giving it form, meaning, and existence.

Forgotten Histories, Future Possibilities

The sculptures serve as physical anchors for the Quantum Goddesses Project, embodying the stories of forgotten pioneers and their connections to contemporary innovators. Live performances of dance and drama will bring these narratives to life, weaving movement and emotion into the historical, scientific, and cultural themes held within each sculpture. Through digital storytelling and archives, these histories will continue to unfold, reaching across space and time.

Goddesses as symbols of human potential

Popular culture often diminishes goddesses to mere symbols of physical beauty, overshadowing their profound significance as embodiments of universal human qualities—creation, wisdom, transformation, and justice. Figures like Ma’at, Kali, Mami Wata, Sekhmet, and Inanna, among others, are not defined by appearance but by the power of their stories—tales that challenge norms, heal wounds, and inspire progress. The Quantum Goddesses Project reclaims and reimagines these archetypes, offering a richer narrative that honours the complexity and strength of what it means to strive for humanity’s highest aspirations.

Goddesses also symbolise adaptability and the power to evolve while preserving their essence. Similarly, the women pioneers celebrated in this project reshaped the world with groundbreaking contributions, even as their legacies were obscured or ignored. By connecting these archetypes with the real-life achievements of forgotten pioneers and the work of living innovators, the Quantum Goddesses Project reclaims these stories and positions them as enduring symbols of creativity, courage, and transformation.

This project embraces the transformative potential of engaging with shared histories and inherited trauma. By addressing erased stories and unspoken pain, it creates a space for connection and healing. It offers a lens to explore intergenerational trauma, the interplay of science and culture, and the bonds that unite us all. Through these narratives, individuals see themselves reflected, recognising the shared threads of struggle, creativity, and resilience that define us all.

The Evolutionary Dance of Humanity

Pattern1

PATTERN 1

WE HAD EACH OTHER AND EACH OTHER’S BACK.

Laotoli Footprints

PATTERN 2

APE THAT LEARNED TO LOVE HER BABY AND HER FELLOW APES.

5 - cave-art-1

PATTERN 3

IS THAT NO WHERE DOES ONE COME ACROSS HUMAN STICK FIGURES ATTACKING OTHER STICK FIGURES OR A BIGGER HUMAN STICK FGURE LORDING IT OVER OTHER SUITABLY SMALLER HUMAN STICK FIGURES.

Toddler dancing

PATTERN 4

THE MORE THEY WERE ABLE TO SYNCHRONISE THEIR MOVEMENTS WITH THE MUSIC THE MORE THEY SMILED.

2 - Carlo Rovelli

PATTERN 5

WE MANIFEST TO EACH OTHER AND ARE MADE REAL WHEN WE ARE WITNESSED.

Pattern3

PATTERN 6

OUR 70,000-YEAR HOMO SAPIENS SUCCESS STORY STARTS WITH A NEWBORN MIND SHAPED BY LOVE AND POWERED BY COMPASSION

WE ARE QUANTUM GODDESSES

On sunny afternoons in the patterns of clouds floating above our heads

We see the gathering of spaceships and the soaring of creatures real and fantastical.

We imagine the many possibilities in the many patterns we see in nature around us.

We disassemble the mountains from mountain ranges - mountain ranges from continents - continents from the surface of the Earth. Earth from the sun - stars from galaxies and the disassembly continues as far as we can see.

 

We see this.

We are the organisers of all these systems of information.

We did this.
We are a system of information observing other systems of information.

Without our eyes, ears, and brains evolved to organize these systems of information there is no reality.

 

Natures imagination has always surpassed ours.

 

Life writes itself a love story.

From a singularly clinical single cell division that uncharitably allowed a mutation or two every few billion copies

To the joyful coming together of two to make a new third wonderfully chaotic life form

That immediately claims itself to be a unique never before and never again system of information.

We fell in love with our baby.

How could we not.

 

That’s the one that wants to love, wants to party, wants to travel.

And is making plans to explore the universe.

Wants to know what's over the galactic horizon.

Wants to know if there are others out there similarly seeking to go on quests.

 

We are the dancing singing loving exploring ape from Africa.

We are the coming together of tiny bits of planet Earth to enquire into its own existence.

We are planet earth.

Wanting to know.

Wanting to explore the universe.

Wanting to see if matter elsewhere has evolved intelligence and wants to compare notes.

 

We are made of Earth.

We are made for Earth.

We are Earth.

We are Earth with a conscience, fuelling immeasurable curiosity.

We are a part of Earth’s plan to become an explorer.

We left Africa to embark on the greatest adventure involving exploration of the universe

And ultimately, the discovery of ourselves.

 

For thousands of years, there were goddesses everywhere and in everything we did.

To remind us that we succeed when we know love and compassion.

Once we were many.

 

We have forgotten those stories.

They were very important.

We are here to make you remember.

We are the ones that did not forget.

 

Our dance plucks ever so slightly the strings of history

Vibrates.

Present with past entangles.

Forever changes the future.

An error is corrected.

 

We are the Forgotten Ones.

We are the Quantum Goddesses.

We are the Error Correcting Algorithms.

We are here to make you remember.

"Art to me as an artist is like science to a scientist. It is a way of making observations about the world. It is a process of slicing the world apart and then reconstructing it — making connections new and some old but always telling a new story. Always hoping for a new insight — always a new way of looking at the same thing." -Sheefali

ABOUT ME

‘I have to understand the world, you see.’ Richard P. Feynman

I am Sheefali Asija, an artist, storyteller, and the visionary behind the Quantum Goddesses Project. This project is deeply rooted in my own journey—a journey shaped by personal trauma, fragmented memories, and a profound love for science, and storytelling. Growing up as the child of Partition survivors, I carry a legacy of resilience and loss, a tapestry threaded with immense pain, unwavering hope, and the enduring strength of love.

Through this project, I extend this journey outward, inviting others to see their life story as part of a vast, interconnected web of human experience spanning space time. The past becomes undiscovered territory, full of forgotten stories and hidden truths, where intergenerational trauma lingers as echoes of inherited pain. These fragments—memories and narratives handed down through generations—bear the weight of stories that were erased, misunderstood, or intentionally silenced. They surface in the present as emotional scars, behavioral patterns, or a shared sense of disconnection, profoundly shaping how we view ourselves and the world around us.

By accepting these fragments - be they stories of resilience, struggle, fear or humiliation - we begin to heal the wounds they represent, transforming inherited pain into a legacy of understanding, connection, and renewal. The past, once unexplored, becomes a wellspring of insight, offering not only lessons but also the opportunity to reimagine the future with clarity and compassion.

In my practice I have been propelled along by Richard P Feynman, a theoretical physicist's question – ‘Is no one inspired by our present picture of the Universe? This value of science remains unsung by singers, you are reduced to hearing not a song or poem, but an evening lecture about it. This is not yet a scientific age. What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?’. Feynman’s words resonate deeply with me, highlighting how science, though profoundly poetic, is often constrained to sterile explanations rather than celebrated as the awe-inspiring narrative it truly is.

David Grinspoon, an astrobiologist whose life and work are a source of inspiration, makes the case for humanity to become compassionate planetary engineers, conscious shapers of our environment, and caretakers of Earth’s biosphere. Carlo Rovelli, a theoretical physicist described as a poet of physics, provides a moral and ethical framework for humanity’s collective journey to the stars.

These thinkers challenge me to explore how scientific understanding, when paired with creative expression, can spark imagination and inspire compassion. They remind me that art has the power to convey the emotional truth of science, and that together, they can help us imagine and shape a more connected, empathetic, and sustainable future.

 

 

My art is both a meditation and a journey—a means of processing and navigating the complexities of my life, much like the intricate creation of mandalas in Eastern traditions. Each piece becomes an exploration of resilience, hope, and creativity, deeply rooted in the tapestry of my personal history.

I am an Indian-born British artist whose practice merges culture, storytelling, and the universal themes that bind us. My journey in art has been shaped by a rigorous academic and creative foundation. I earned an MA in Fine Arts with distinction from Chelsea College of Arts, London, in December 2019. From 2011 to 2014, I had the privilege of studying under Sam Adoquei, a Ghanaian American artist, teacher, and mentor, at his Fine Arts Union Square Atelier. Sam’s belief that “you can change the world one brushstroke at a time” continues to inspire my practice. My work has been exhibited in Paris, London, New York, Los Angeles, Vienna, Ferrara, and Miami, resonating across diverse audiences and cultures.

I am Humanism Ambassador for ideaXme, a global platform dedicated to celebrating the power of ideas to move humanity forward. This role aligns with my commitment to using art as a medium for connection, healing, and transformation. Through my practice, I aim to illuminate the threads that unite us, encouraging dialogue and fostering empathy, and to leave a legacy of stories that inspire hope and imagination for generations to come.

My

Portfolio

"Here it is standing: Atoms with consciousness; matter with curiosity. Stands at the sea, wonders at wondering. I, a universe of atoms, An atom in the universe." Richard Feynman

This profound observation reflects the core of my belief: for humanity to thrive, it is crucial to understand what we know, how we know it, and the journey that brought us here. This understanding is not only a celebration of our curiosity but also a compass to navigate the immense challenges we face as a species.

Through my work, I aim to highlight the beauty and importance of an evidence-based worldview. With projects like Sartorial Van—an NFT collaboration with Saatchi Art, Virtuteus Praemium—a campus-wide installation celebrating the rewards of virtue, and the Pattern Seeker and Ignition Sequence series of oil paintings, I explore the patterns and systems that underpin reality. These works reflect humanity’s relentless drive to question, discover, and make sense of the world. Each piece is a meditation on our shared human journey, emphasizing the interconnectedness of art, science, and storytelling in shaping our understanding of existence. My creative practice is deeply influenced by my belief in the transformative power of knowledge and the essential role of curiosity in driving progress and fostering hope.

In my stop-motion video art, Hypersurface of the Present – The Journey of a Photon,” I imagined traveling alongside a photon born in the Sun four billion years ago. This tiny particle of light has traversed unfathomable distances, now passing through a collision of galaxies four billion light years away. Its journey embodies the awe and wonder that fuels my work—an invitation to explore, reflect, and connect with the vastness of existence and the patterns it holds.

I have drawn upon facts and evidence, supported by extensive research and diverse sources, to weave the patterns and narratives of this project—though the inferences and connections are uniquely my own.

Archaeological, anthropological, neurological, and psychological breakthroughs reveal a world in our deep past that thrived on rich, interconnected relationships and a profound sense of harmony. This suggests that our ancestors were attuned to their humanity and the natural world. To create a legacy of meaning and possibility for future generations, I believe we must not only delve deeper into our shared past but also reflect within ourselves. It is in understanding these patterns - both ancient and internal - that we can reimagine our collective story and leave behind a tapestry of connection, creativity, and care for those who come after us.

Sheefali-1

“I am seeking female scientists from around the world who approach their work with curiosity, altruism, and a deep love for discovery.”

REACH OUT AND BE A PART.

 

Please drop me a line or book an appointment.

 

"Art to me as an artist is like science to a scientist. It is a way of making observations about the world. It is a process of slicing the world apart and then reconstructing it — making connections new and some old but always telling a new story. Always hoping for a new insight — always a new way of looking at the same thing." -Sheefali

"Art is love made public." Sense8, Lana Wachowski and J. Michael Straczynski